Caraga

THE OLD WOMAN OF THE CANDLES
by Kevin Piamonte

©2001 by Ramon Sison

HOLY Thursday.

The house loomed over the street. Massive. Windows gaped open like mouths. So this would be summer for me. There were other houses nearby, but not as big and old as this one. As I stood outside the rusty iron gate, Doray came running out of the heavy wooden door. It was almost sundown.

"You're finally here. I've been waiting since morning." She kissed me on the cheek.

"The bus broke down," I sighed and gave her a hug.

She brought me inside the house. The basement was dark. A familiar scent filtered through my nose. I sneezed.

"It's old wood, remember?"

SHE had brought me to Ibajay, Aklan, a year ago for her Lola Conching's 90th birthday. We stayed for a couple of days.

Doray and I usually spend summer at beaches. She suggested that we spend this particular one in her Lola Conching's house. I declined at first, but couldn't bear the thought of going to the beach without her. So we made a deal. An hour's ride from Ibajay was a white sand beach.

"I promise." She held up her hand. "We'll go to Boracay after. You just have to see how they spend Holy Week in my Lola Conching's town."

"But I'm not even a practicing Catholic," I protested.

"Don't deny it Burt Macaraig," Doray pointed her accusing finger at me." Once I saw you lighting all the candles in church so that Rona would live."

Ask and you shall be given. I thought that was the doctrine of the Church. Rona died of abuse three years. ago. She was one of those deaf children we took care of in the Center. The twelve-year old girl was suddenly missing one day. When we finally found her in a cemetery, her body had been battered. She lingered in the hospital for two days. The pain was deeply etched on her face. Even her pleas for comfort had ceased to be human.

"All right, all right." I gave up. "We'll go to your Lola Conching's house first, purify our souls during Holy Week and burn them after in Boracay."

Doray and I have been the best of friends since college. We were drinking buddies. Everybody on campus thought we were a couple. In a way we were, since we were always together. After college we went on to do volunteer work for the deaf. We thought we would be serving the best of humanity. But the truth was we were both reluctant to get an eight-to-five job. We called that a straitjacket.

For some reason I wasn't able to make it on the day Doray and I were supposed to leave for Ibajay.

"You'd better follow, mister," she warned, her hand balled to a fist.

SAN Jose Street, Ibajay. Doray told me that on Holy Week the townspeople follow a certain tradition. Her Lola Conching owned a Santo Entierro, the dead Christ. It had been with the family for years. Every year, during Holy Week, they would bring out the statue and everybody would participate in the preparation. Some people would be in charge of dressing up the statue while others would take care of decorating the carriage that would carry it through the streets.

"What's so exciting about that?"

"It's a feast, Burt, a celebration."

I thought it was ridiculous celebrating death. There was something eerie about the whole idea.

"Lola Conching, do you remember Burt?" Doray asked as we got to the landing.

The old woman sat on a chair carefully lighting candles on the altar in front of her. Her lips reverently moved in silence and her gaze was strange as if she wasn't looking at any of the images in particular. It was this same sight that greeted me a year ago.

"The old woman of the candles," I whispered to Doray on our first visit.

"He's here to help in the activities for the Holy Week."

"It's good to see you again, Lola Conching."

"Did you have a good trip? Perhaps you need to rest."

The old woman stared at me. Her face looked tired. It sagged with wrinkles. But I could see there had been beauty there ages ago. The fine line of her brow softly curved to gray almond eyes. Her nose suggested not Spanish descent. Beside her was a wooden cane bedecked with shells intricately embedded, forming a floral design.

"Come." Doray led me through the living room. Carved lattice frames on walls complemented the chandelier made of brass and cut-glass.

"Where is the rest of the family?"

"They'll be here in the morning," Doray said as she opened the door to the bedroom.

I stepped inside.

"You'll sleep here." She indicated. "That's the washroom."

"And the other door to the right leads to your room," I recalled.

Lola Conching was blind. She suffered greatly at the hands of the Japanese. This I came to know last year. Lola Conching was a comfort woman. She had to give in so her parents could be saved. At first she resisted. Then the Japanese hit her on the head with a plank of wood. She became blind. Then she got pregnant.

Was it her story or was it for want of a grandmother that somehow had drawn me to her?

"I think I'll rest for a while," I said quietly.

"Yes, do," she replied as she opened the door to her room. "We'll have dinner later."

The room was replete with old wooden heads of saints. Some had no eyes, but they looked real. I shivered--a familiar feeling. In front of my bed was a cabinet with glass casing. It was empty. The whiff of camphor from the wooden heads made me dizzy and I fell asleep. Soundly.

I WOKE up to the sound of voices. A soft stream of morning light seeped through the gauze of the mosquito net. I hurriedly washed and dressed. Then I opened the door and stepped out of the room. There were people moving around, talking.

"Burt Macaraig?" An elderly woman looked at me knowingly.

"Yes. Burt, you've met Tiya Basyon," Doray began. "And Tiya Patring, Tiyo Lindo, my cousins Ted, Joey, Ina, Elena, Nicky and Damian."

"Well, I'm back." I didn't know what else to say.

"Let's have breakfast." She tugged at my arm. "Everybody has eaten."

The combination of dried fish, scrambled eggs and fried rice sprinkled with chopped onion leaves made me very hungry.

"Nobody here eats meat on Good Friday," Doray explained as we sat down. "It's the belief."

I was too hungry to mind whatever Doray was trying to say.

"I didn't bother to wake you up last night," she said between bites. "You were snoring and I took care not to wake you when I put up your mosquito net."

"I fell asleep as soon as I hit the pillow."

"Did Burt have a good sleep last night, Doray?" Lola Conching asked as she walked into the dining room.

She sat on the chair at the head of the table. It was uncanny how she could move with just a cane. She seemed to know every inch of space in her house.

"Good morning," I greeted her.

"Ah, there you are." Her head followed the sound of my voice. "Did you sleep well last night?" "Yes, I did."

"You should. You will be doing many things today."

After breakfast, we went downstairs. The light from the bulb coated the basement in amber. I sneezed. In a corner was the carriage. Black. It was lined with leaves of silver. On the carriage was a casing whose sides were made of glass. Angels with dark faces adorned each of the upper four corners. The carriage looked ominous, like a hearse. Tiyo Lindo and Tiya Patring came in.

"Boys, let's do this together." Tiyo Lindo went to the carriage and started pulling it out from the corner. All of us did our share. The wheels creaked.

"It needs oiling," Tiyo Lindo said.

We positioned the carriage under the bulb.

"Why don't we just open the door?" I suggested. "Then we can have light."

"No, don't," Tiya Patring said. "It's a tradition. Nobody should see the Santo Entierro until everything is done."

I helped polish the carriage, shining the leaves of silver lining. With agility Ted climbed the carriage and dusted the wooden top of the casing. Tiyo Lindo wiped the inside of the glass. No way would I go in there, I thought. It would be like going inside a coffin.

"We're ready with the Santo Entierro," one of the girls called out. They had been cleaning the body.

The dead Christ was laid out on a mat. My stomach tumbled over. I felt like I was looking at a corpse in a morgue.

"Are you all right?" Doray approached me. She had been arranging the flowers and leaves of palm.

"Look," I said quietly. "I don't know what this is all about, but I'm not at all comfortable."

"What is it?"

"The dead Christ. I just don't like it." I sneezed. "And this scent of old wood, it's driving my nose nuts."

She laughed.

"What is so funny?" I looked at her squarely.

"That's what you get for being a heretic." She brushed my face with the bouquet she held in her hands.

"Oh, stop that." I wiped my face. "I think I'd better go upstairs for a while and rest."

"Don't be so lazy. Lola Conching won't like that kind of attitude."

"Well, she's not my grandmother in the first place." I made my way up.

Lola Conching was sitting by the altar when I got to the top of the stairs. The subtlety of light coming from the candles caressed the features of her tired face.

"Are you done?"

I was startled.

"No, Lola Conching."

"Who are you?" Her voice was stern. "Ah, you're Burt."

"Yes, Lola Conching." I was relieved that she recognized me.

"What are you doing up here?" she curtly asked.

My throat went dry.

"I want to rest for a while. I'm feeling quite sick because of the smell of old wood."

"I light candles for the Santo Entierro because it is most precious to us. It is our indu1gencia," declared Lola Conching. "It protected us during the war. Doray's father was a baby then."

I sat down in front of the old woman.

"You mean the Santo Entierro has some kind of power?" My curiosity started to grow.

"Yes, it does." Lola Conching confirmed. "It protects us from the evil of Good Fridays. Aswang."

I almost snickered. But in her voice was the weight of her belief. Aswangs, witches were myths to my knowledge. They would fly at night using their huge bat-like wings. Their hands had claws for fingers, and their teeth were razor sharp. They would look ghoulish, eyes gleaming bright red. But at daytime they were beautiful.

My gaze was transfixed on the old woman's face. I searched for the delicate features that used to be there.

"They come out on the eve of the death of Christ." Her voice slightly quivered. Was it fright I heard? Or a threat?

I was getting edgy on my seat. Faith, belief, knowledge boiled up, blurring my mind.

"You'll see on Good Friday. When the moon rises, all windows are shut in houses except ours," she proudly declared. "Windows in this house are left wide open."

It dawned on me. The Santo Entierro was not the family's iindulgencia. It was hers--for all the fears she kept inside.

"I thought you went to sleep." Doray had come upstairs.

"No, I was talking to your Lola Conching," I stammered. Cold sweat dripped down my forehead.

"I told him stories about the Santo Entierro," the old woman said with an air of accomplishment.

"Let's go." I grabbed Doray's arm.

For the first time I felt afraid. Yet I could not understand why. I raced downstairs. Doray came after me.

"Wait," she called.

Everybody stared at me blankly when I got to the basement. I turned around and faced Doray. We almost bumped into each other.

"Can we go for a walk?" I panted.

We went to the plaza in front of the church. We were both quiet. I pondered why she brought me to this strange place. I felt she had done it on purpose. I never questioned events, phenomena. I always took them as though they were a natural order of the cosmos, like birth and death. True, I did light candles for Rona, but the girl died nonetheless. I felt humiliated. That menial task was my turning point. Never again did candles burn.

"This is where the procession ends," she said as we sat on a concrete bench. We were facing the church. "The procession goes around, through several streets and it ends here at about seven in the evening."

"Do you believe in your Lola Conching's stories about the Santo Entierro?"

Doray looked lost in thought. She groped for words.

"I don't have any answers, Burt. But this is what I can tell you." Her eyes brightened up. "What I saw was the crowd surging toward the Santo Entierro as it got to the door of the church. It was a mad scramble. Everybody wanted a piece of the Santo. They say its hair or any part of its clothing can be used as an amulet, a protection against evil spirits."

Another mythical explanation.

"I'm hungry." I stood up and we went back to the house.

Lunch was quick. Everybody was rushing to finish the morning's activity for the procession in the afternoon.

I went to sleep. In the first place, vacations were meant for naps. Besides I felt I had done my share already with the carriage.

"Burt." I heard Doray's voice through my slumber. "It's time to get ready."

"Hmmm," I protested. I was too tired to do anything.

"Wake up, sleepyhead." She sat on the bed. "You've been sleeping for hours. Come on." She gave me a gentle slap on my face.

"All right." I rubbed my eyes and got out of bed.

"Call me when you're ready." She stood up and went inside her room.

When Doray and I went downstairs, I gasped at the sight that greeted me. There was the Santo Entierro inside the glass casing of the carriage. Asleep. Its long golden brown hair was spread out like a fan. Its body covered with the richness of white and red velvet was adorned with beads of gold. The carriage was bedecked with sprays of palms and flowers, the ones used for funerals. Trinkets of lights illuminated the whole presentation. Death never had this brilliance.

"Well, we're ready," Tiya Patring said.

The boys--Ted, Joey, Nicky and Damian--opened the door and pulled the carriage out. A small crowd stood outside. They applauded as we made our way into the street behind the image. They made the sign of the cross and followed us. As we neared the church, I could see other carriages lined up, each one carrying a different image representing Lent. We were made to position somewhere at the end of the line. And the procession began. The band with scant composition of trumpets and drums lazily accompanied our strides. I snickered.

"Shhh," Doray warned.

When the sun came down, some people started handing out candles.

"Want to light one?" Doray slyly offered.

The procession went on for about two hours. People lined the streets. There were old people sitting on wheelchairs. Soon they would drown in the shadow of the evening. I thought of Lola Conching left alone in the house seeing the whole procession in her mind as she prayed for her soul. In her house candles burned like tired spirits.

When we neared the end of the procession, the carriages were brought inside the church.

"Let's go." Doray pulled me.

"Where?" I thought this would be the most awaited event of the day.

But her clutch slipped off my arm.

Then I saw a throng of people rushing towards us. Joey, Nicky and Damian struggled to pull the carriage to the entrance of the church. On top of the carriage were Tiyo Lindo and Ted brandishing wooden canes like warriors. Everyone was trying to get near the Santo Entierro. I was trapped. I couldn't get out from the sea of bodies. The wave threatened to crush me. I couldn't breathe. I was drowning. Some people had tears streaming down their faces, sobbing. Others screamed as Tiyo Lindo and Ted hit their hands with their wooden canes.

"The hair," someone shouted. "A strand of hair."

"No, don't!" I could no longer hear myself as I went down, pressed by the rush of wave.

Suddenly Tiyo Lindo and Ted were pulling me up. I slumped on the wooden top of the carriage, catching my breath. Below, the maddened faces of people receded as we entered the portals of the church.

We jumped off the carriage. Sweat pasted my shirt on to my skin. I felt we had gone through a siege. But the carriage was intact. The glass remained unbroken. The leaves of silver lining still glistened. Everything was in place. The rest of the boys, Joey, Nicky and Damian, volunteered to stay behind while we went home for dinner.

"You were lucky you didn't get crushed," said Ted.

I did not bother to say anything. I had not seen raw madness before.

"Is he all right?" Lola Conching asked me as we got to the top of the stairs.

"Burt," Doray came towards me. We need not say anything to each other. Tears were about to fall from my eyes.

"It's all right," I held her hands tight. "I'll be fine."

Later that evening we stayed in my room and drank whiskey.

"I'm sorry, Burt, I tried to get through." She recalled what happened earlier that evening.

We were silent for a while.

"It was so weird. They were scrambling. Those people were fanatics."

"The first time I saw it I thought I would go down on my knees." She smiled in disbelief.

Doray left at midnight to sleep in her room. I tossed in bed. I kept thinking about the mad rush of the crowd towards the Santo Entierro. What awesome power for one made of wood to draw the tide toward himself. My mind reeled. It was Black Saturday. The day of the dead Christ.

In the haze of alcohol, I got out of the room and cautiously made my way down the stairs and out of the house. I went out into the street and walked to the church. The moon had risen, big and bright. Its color oozed beyond its shape and bled the sky. The street was silent. As I neared the church, I heard its door open. It moaned. In the dimness of the surroundings I saw four men coming out of the church. They were carrying something wrapped in white sheets, like a dead man. It was the Santo Entierro! Oblivious of my presence, they struggled with its weight. Slowly I took several steps back. I turned around and cautiously walked back to the house. Then I saw that the windows of the other houses were shut. Tight. I remembered what Lola Conching said about the witches. I ran towards the house, racing against the pounding in my chest. Then I swiftly ascended the stairs. When I got to my room, I threw myself on the bed. At a surprising rate, I tucked the mosquito net in and closed my eyes. The Santo Entierro was stolen, the Santo Entierro was stolen! This I kept repeating to myself. I wanted to get up and tell Doray. But I was feeling too heady. I felt I was going to throw up. I closed my eyes and cascaded down into a labyrinth of darkness. Then I heard a flapping on wings. Wak, wak, wak. It flapped in the breeze blowing through my window. Wak, wak, wak. There it was again. I bolted up, charged with a current of electricity running through my veins. The mosquito net plunged down. I struggled against the mesh of its gauze. Then I saw the Santo Entierro! It stood inside the glass cabinet in front of my bed. I screamed. The shrillness shot through the stillness of San Jose Street.

"Burt," Doray rushed in. I screamed again. She peeled the mosquito net away. Then I felt her hands, her arms holding me close. I was drenched with sweat.

Someone knocked on the door.

I looked at the glass cabinet in front of my bed. It was empty.

"The Santo Entierro was stolen." I breathlessly whispered to Doray.

"The what?" She barely heard me.

"The Santo Entierro." I punctuated each word.

Doray stood up and opened the door. Lola Conching entered the room.

The Santo Entierro was stolen!" I cried. "It was stolen."

Lola Conching covered her face, fingers digging into her skin. Her breathing came in spasms. The rest of her kin stood behind her. I got out of bed.

"Where are you going?" Doray asked.

"To the church."

I grabbed Lola Conching and carried her in my arms as if she were a child. She weakly struggled against my strength.

"Leave her alone!" Doray cried. The rest of the family encircled us like the crowd that earlier surged towards the Santo Entierro.

"No!" I stared at them.

And we all marched down into the darkness of the street, all the way to the church. Lola Conching buried her face my chest. Her resistance was drowned in her sobbing.

The door of the church was open when we got there. Some people had left it open. We made our way through the carriages inside the shadow of the church's belly. Images loomed. Near the altar stood the black carriage with leaves of silver lining. I Set Lola Conching down on the floor She grappled with my feet, whimpering.

"Here." Tiya Patring offered me a candle. I took it.

"Light all the candles, Burt," Doray's voice quivered.

I numbly walked around the church and lit all the candles I could find. My hands shook. Lola Conching wailed Then I saw it. It was there. The Santo Entierro glistened inside the glass casing of its carriage.

"It's here, Lola Conching." My lips trembled. "The Santo Entierro is back!"

We all looked at Lola Conching, still slumped on the floor. She had stopped crying.

"Put out the candles," Lola Conching commanded.

Nobody moved. For a while everybody had stoned expressions on their faces.

"Put out the candles." This time her voice came undaunted.

One at a time her kin blew out the flames. Their somber faces were ghosts extinguished with the past. The Santo Entierro faded into darkness.

I sank to my knees with the last candle in my hands. Lola Conching rose. Layers of tormented skin peeled off her face that came to the light. I saw her real beauty. Immaculate, a flower whose petals would wither with a careless brush of fingers. I saw a girl of eighteen whose face was as fine and gentle as the hair of the wind. Then the features slowly changed with the diminishing flame. And between light and darkness was Rona's face completely devoid of pain.

The light of the candle in my hands flickered and died as Lola Conching's blind eyes gave way to tears that had welled through the years. In the darkness of the church I bowed my head as I convulsed with my own truths. Lola Conching held on to my arms as I held on to the candle. I could smell the pregnant whips of smoke rising from the faint orange glow of its wick.

Black Saturday. And now, Easter Sunday. 

Central Mindanao

THE LITTLE PEOPLE
by Maria Aleah G. Taboclaon

THE elves came to stay with us when I was nine. They were noisy creatures and we would hear them stomping on an old crib on the ceiling. We heard them from morning till night. They kept us awake at night.

One night, when it was particularly unbearable, Papa mustered enough courage and called out. "Excuse me!" he said. "Our family would like to sleep, please? Resume your banging tomorrow!" Of course, we had tried restraining him for we didn't know how the elves would react to such audacity.

We got the shock of our lives when silence suddenly filled the house--no more banging, no more stomping from the elves. Papa turned to us smugly. Sheepishly, we turned in for the night, thankful for the respite.

When dawn came, the smug look on Papa's face the night before turned into anger for shortly before six, the banging started again, and louder this time! We got up and tried speaking to the elves but got no response. The banging continued all day and into the night, and stopped at the same hour--eleven o'clock. And at exactly six a.m. the next day, it started again.

What could our poor family do?

Papa tried to call an albularyo to get rid of our unwelcome housemates but the woman was booked till the end of the week. Meanwhile, the elves had become our alarm clock. When they start their noise, we would get up and do our errands. Papa would start cooking, I would start setting the table, Mama would sweep. The whole house--my older sister and my cousin would water the plants, and my brother would start coloring his books. (We really didn't expect him to work, he was only four.)

After a week, we got hold of the albularyo. She spent the night in our house and by morning, she told us to never bother her again. The elves had already made themselves a part of our life, she said. Prax, the leader of the elves, had spoken to her and had told her that his family had no plans of moving out. They liked things as they were.

We eventually settled down to a comfortable coexistence with the elves. They woke us up at six, they let us sleep at eleven, and in return for the alarm service we would leave food on the table. By morning, the food would be gone and the table cleaned.

All in all, it was a very good relationship.

After three weeks--the first week of May--I met Prax, the leader and oldest in the clan, and I met him literally by accident. I was climbing the mango tree in our yard when one of its branches broke. I fell and broke my ankle. The pain was so great that I just sat there numb, staring at my ankle which had begun to turn blue. I could not move or cry out. I went to sleep to forget the pain. My last conscious thought was that the ground was too cold to sleep on.

I woke to a hand touching my foot. It belonged to someone--somethingnonhuman, for his hand radiated warmth that seemed to penetrate to my bones. His hand was small, wrinkled and felt like dried prunes.

Although I was curious, I kept my eyes closed. I imagined a hideously deformed face, with long and sharp teeth. Would he disappear when I open my eyes? Or would he devour me? I pretended to be asleep.

After several minutes, I could pretend no longer; I was too curious to remain still. When I opened my eyes, the horrible sight that I expected was not there. Instead, there was this old, wrinkled creature, even shorter than I was although I was the smallest in my class. He wore overalls unlike any clothing I knew of. Its texture was a mixture of green leaves and earth. It clung to his skin and writhed with a life of its own. Its color continually changed from deep to light green, to dark to light brown, and to green again. It was fascinating to look at. I felt a sense of awe and respect towards the elf.

He was good with his hands. My ankle already felt better. He was massaging it with an ointment that smelled nice. Before I could stop myself, I sniffed deeply, bringing the healing aroma of the ointment deep into my lungs. Detecting my movement, the elf turned to me and smiled kindly. Although I didn't see his mouth moving, I could hear him talking.

"Don't be afraid," he said. His voice was so soothing that I had to fight my urge to snuggle and sleep in his small arms.

I shook my head slightly. What was I supposed to say? Hello, elf? How are you? I could not. I didn't even know if I was supposed to call him that or just say Tabi or Apo.

As if knowing what I was thinking, the elf smiled again. "You call our kinddwendes or elves, no?" I nodded. "I actually don't mind if you call me an elf, but please call me Prax."

Seeing my astonished look, Prax laughed. His laugh sounded like the whistling of wind through the trees and a bit like the breaking of the waves on the seashore. I thought it nice and longed to hear more. And I wanted to know more about his kind. Did they have children? Wives? Did they play games like patintero? Habulan?

But Prax was not in the mood to chat. He told me that I should have been more careful. I could have been seriously hurt.

I nodded absently, thinking that I liked his clothes, his laugh, and his voice. He reminded me of my grandfather who had died a long time ago.

I closed my eyes, letting Prax's healing massage lull me to sleep. Thirty minutes later when I woke up, the elf was gone. Only the lingering fragrance of his balm remained.

When Mama and Papa arrived, I told them what had happened. It was really frustrating seeing their reactions. They became pale, then collapsed on the sofa. I had to douse them with water before they revived. Why couldn't they be like other people and be glad that I had been befriended by a supernatural being? I had told them about my first encounter with a real elf, and they fainted on the spot! I sulked for the rest of the evening.

Mama told me to never, never talk to elves again. Or did I forget the countless tales of elves taking people to their kingdom after killing them? I just shrugged. After all, the elf had saved my life!

I thought no more of it and, indeed, began to enjoy the banging and stomping on our ceiling. I almost wished to be hurt again just so I could see Prax. But nothing happened and I passed the rest of my summer days dreaming about playing with elves.

I met my second elf in school. I was in Grade 3, a transferee to a new public school that had a haunted classroom. My classmates related tales about dwendes, white ladies, and kapres in our school. I believed their stories readily.

I tried to tell them about Prax but since they were skeptical, I decided to let them be. As it was, I was excluded from their games.

In the classroom, I chose the seat I felt was the most haunted, the one farthest away from the teacher's table. Nobody wanted to sit near me. Behind me was a picture of the president. Without the company of my classmates, I expected elves to make their presence felt. So I waited.

By the third month in class, it happened. We had a very difficult math exam. Our teacher left us and went to gossip outside and all around me my classmates were openly copying each other's work. I looked at their papers from my seat, hoping that their scribbles would mean something to me but the answers to the blasted long divisions eluded me. I looked at the ceiling, trying to see if my brain would work better if my head was tilted a certain angle. It did not. I looked to my right, nothing there. And finally, I looked down and saw this tiny little elf, smaller than Prax by as much as six inches, sitting on the bag in front of me tap-tapping his foot impatiently.

"What took you so long to notice? I've been here for hours!" he said.

What gall! Did he really think that his race would excuse his bad manners? I ignored him and frowned at my test paper. What was 3996 divided by 6?

Immediately, he apologized and told me that his name was Bat. He had seen me play outside and thought that I was beautiful, sensitive, and romantic. Did I want him to help me in my test?

Me beautiful? I enthusiastically agreed to let him answer the test. I showed him my paper, and he snorted. "For us elves, this is elementary!" he said. I wanted to tell him that to us humans, these problems are also elementary, third-grade in fact, but I changed my mind.

Bat and I became friends. He helped me with my homework and gave me little things such as colored pencils and stationery that were the craze in school. He cautioned me strongly against telling my parents of my friendship with him. After all, he said, some people might not understand our relationship. They might forbid us from seeing each other.

I thought nothing of it and kept silent about my friendship with Bat. I enjoyed his company, for he was very thoughtful. He was a good friend and I thought we would be friends forever.

The time came, though, when he declared that he loved me. He wanted me to go with him to his kingdom and be his princess. I refused, of course. For God's sake, I was only nine! I didn't know how to cook or do the laundry or do the other things that wives are expected to do. And he was an elf! Short as I was, he only came up to my knees. What a ridiculous picture we would surely make. He pleaded with me for days but out of spite I told him that I had already confided to my parents, and that they were very angry. It was not true, but Bat didn't know that. He got angry and launched into diatribes about promises being made and broken. Then he vanished.

That night I dreamed that Prax talked to me. He told me that I should have never offended Bat outright. "That elf is a stranger in our town," he said. "We don't know his family. He might be violent."

But I had already done what I had done and there was no use wishing otherwise. I told Prax I'd never worry. After all, he'd always be there for me and my family, right?

"Wrong," he said. His gift was for giving good luck and for healing minor, nonfatal injuries. "What good is that for?" I asked. He couldn't answer, and left me to a dream of falling houses and shrieking elves.

The next day, I got sick and did not get well even after the best doctor in town treated me. My parents had grown desperate so the albularyo was called once more. She told my parents to roast a whole cow, which they did willingly. The albularyo and her family feasted on it. When I was still sick after a few days, she instructed my parents to cut my hair; she told them that elves liked longhaired women. The problem was Bat liked my new look, and in my dreams, he was always there, entreating me to go with him. I got sicker than ever.

The albularyo, getting an idea from a dream, then tried her last cure--an ointment taken from the bark of seven old trees applied to my hair. It cost more than the cow and nobody could enter my room without gagging. The smell was terrible. That did the trick. Apparently, Bat was disgusted but he would stop at nothing to get me, even if it meant getting my family out of the way. I told him again and again that I didn't love him and would never go with him, but the elf's mind was set. In the end I just ignored him, for who could reason with an elf, and a mad one at that?

He did not turn up in my dreams the next few nights. In a week, I was up and running again and I thought that all was right. My parents decided that I should transfer to another school, this time a sectarian school.

Then something happened. My mother had a miscarriage. People blamed the elves and talked about it for a long time. I remember the sad and fearful looks of my parents every day as they heard the banging on our ceiling. Were they friends or were they responsible for the accident? I had never told them about Bat, who Prax said was the one behind all these incidents.

Years passed, and since nothing untoward had happened since my mother's miscarriage, we began to let go of our fears. The alarm service continued, and our belief that my mother's miscarriage was the elves' doing was discarded. It was simply the fetus's fate to die before it was born.

"Bat left town, probably to look for some of his kin to help him," Prax said.

It was a chilling thought, and with Bat's words the last time we talked, I was terrified. I laid awake at night thinking of a way to protect my family. I had Prax, but what about them?

When I was twelve, the banging on our ceiling stopped. We were having lunch, feasting on the pork barbecue my mother had bought after her experiment with chicken curry failed. The sudden cessation of the noise we had been living with for years was jarring. The silence grated on our ears. For the first time, we could hear ourselves breathe.

No one moved. Even my brother, who was now seven, stopped chewing the pork he had just bitten off the stick. Papa stood up and called to the elves. Nobody answered. Gesturing for my cousin to follow him, they got the ladder and prepared to climb to the ceiling. They took with them an old wooden crucifix and a bottle of water from the first rain of May. My cousin brought along a two-by-two and a rope. I didn't know what they wanted to do but we looked on, our barbecue forgotten.

Papa went inside the ceiling and my cousin followed. Moments later, they came back running. My cousin descended the ladder first and I don't know whether it was because of fright or just because he was careless, but a rung broke and he fell to the ground, back first, hitting the two-by-two he had dropped in his haste. He lay there, unmoving except for his ragged breathing, his back bent at an angle we never thought possible.

Mama fainted, Papa stood still, my sister called an ambulance, my brother wailed, and I sat in the ground, laughing. It was not a laugh of gladness, just my nervous reaction to what happened. But they misunderstood and locked me in my room. I cried, shouted, cursed, but remained locked in. From inside my room I could hear them talking, the medical help coming in, and relatives pouring inside our house. I was ignored. I slept and dreamed that an elf was laughing. When I woke up, the whole house was filled by elven laughter. Then my cousin died.

After another year, my little brother followed. He was run over by a postal service van. I can still hear the anguished wail of the driver as he asked for forgiveness. He claimed that a tiny creature had run in front of his van and he had swerved to avoid it. My brother was unfortunately playing by the roadside and the van ran straight into him. Witnesses say they had heard laughter at the exact moment the wheels caught my brother.

The driver was imprisoned, but the deaths did not stop there. Barely six months later, my father drowned while fishing. A freak storm, the fishermen said, but for us who were left alive there was no mistaking that our family would die one by one.

There were only three of us left: my mother, my sister, and I. We tried to seek help, but the policemen laughed in our faces. We were branded as lunatics. And Prax was gone, defeated by Bat and his family apparently on the day the banging stopped. Even the albularyo could not help us. What use were her potions and ointments? What the elves needed was a good dose of magic, and the albularyo was primarily a healer and an exorcist. She had no training when it came to defending a whole family against vengeful elves.

And poor Mama! A mere week after my father died she followed. Extreme despair, the doctors said but we knew better.

My sister and I left home and went to live with our relatives in the city, hundreds of kilometers away. We told them about the elves but they laughed and told us we were being provincial. "It is the 90s," they said. "Belief in the little people died a long time ago." We knew they were wrong, but how could two orphaned teenagers convince the skeptics? Perhaps, we should have insisted on talking more but, as things were, our aunt had already scheduled counseling sessions for the two of us The fear of being sent to a mental institution stopped us from further trying to convince them. In the end, we just hoped that the distance from our old home would keep us safe from the elves.

But they followed and, one by one, our foster family died. Car accidents, food poisonings, assassinations through mistaken identity--there were logical explanations for their deaths but we knew we had been responsible. We could only look on helplessly, and despaired.

We traveled again, haphazardly enough to let us think that we could outwit the elves. But they finally caught my sister about a year ago. We were on the bus bound for another town when a tire blew out. The bus crashed into a ditch and although most of the passengers including myself were injured, the only fatality was my sister. I realized then that there was no escaping the fury of the little people.

After my sister's death, there was a period of silence from the elves. I decided to continue studying and enrolled at the local college. I had no problem with finances. I had inherited a large sum from a relative I had unwittingly sent to death.

After I got settled in the school dormitory, Prax appeared in my dreams again. He told me about a chant that he had dug up in the enormous library of a human psychic he had befriended. It was a weapon against any creature--effective against those with malicious intentions, whether towards humans or other creatures. Prax thought it would he better if I could defeat Bat myself. After all, hadn't Bat done me great harm already? I agreed and prepared myself for the battle that would decide my fate.

It was not long after my conversation with Prax that Bat tracked me down. It was a weekend and I had the room all to myself. I looked up from my notes and saw him--much older, his once clear complexion now marred with dark, crisscrossing veins. Hate screamed from him, and he stooped and walked with great difficulty. I pitied him.

He gave me an ultimatum: go with him or die on the spot. I pretended to look defeated and worn out. My act was effective and Bat looked pleased. He wanted us to go immediately but I dallied. At the pretext of packing my few valuable possessions, I told him to wait outside and count to a hundred.

When he was gone, I took out the ingredients I had prepared and the mini-stove I had borrowed. I boiled a small amount of sweet milk. I unwrapped Bat's image made in green and brown clay, with strands of his hair given to me by Prax, and started blowing and chanting words that meant nothing to me.

Blow. Allif, casyl, zaze, hit, mel, meltat.

Blow. Allif, casyl, zaze, hit, mel, meltat.

Blow. Allif, casyl, zaze, hit, mel, meltat.

Outside the room, Bat's count reached 70. I put aside the image and into the pan I poured hundreds of brand new pins and needles that had been blessed. The count reached 80. I repeated the chant and immersed the image in the boiling liquid. I waited.

Bat's count reached a hundred but I did not worry for it had become faint and weak, just as Prax had told me. Then Bat dissipated into a mist--shrieking, I might add--to where, only God would ever know.

Prax appeared again in my dreams that night and told me that they--Bat and his family--would never bother me again. He himself would move his family away from humans to avoid similar incidents in the future. It was too bad he didn't discover the old book with the vanquishing spell earlier for I could have saved my family. I could not bring them back, he said, but I could build a good life of my own. With the luck he bestowed on me, I would never be in need for material things the rest of my life.

I kissed the old elf, knowing that we would never see each other again. I watched him fade away, seeing the last of my family go.

When I woke up, I went to my desk and studied math, remembering where it all began. 

Southern Mindanao

ZITA
by Arturo B. Rotor

TURONG brought him from Pauambang in his small sailboat, for the coastwise steamer did not stop at any little island of broken cliffs and coconut palms. It was almost midday; they had been standing in that white glare where the tiniest pebble and fluted conch had become points of light, piercing-bright--the municipal president, the parish priest, Don Eliodoro who owned almost all the coconuts, the herb doctor, the village character. Their mild surprise over when he spoke in their native dialect, they looked at him more closely and his easy manner did not deceive them. His head was uncovered and he had a way of bringing the back of his hand to his brow or mouth; they read behind that too, it was not a gesture of protection. "An exile has come to Anayat… and he is so young, so young." So young and lonely and sufficient unto himself. There was no mistaking the stamp of a strong decision on that brow, the brow of those who have to be cold and haughty, those shoulders stooped slightly, less from the burden that they bore than from a carefully cultivated air of unconcern; no common school-teacher could dress so carelessly and not appear shoddy.

They had prepared a room for him in Don Eliodoro's house so that he would not have to walk far to school every morning, but he gave nothing more than a glance at the big stone building with its Spanish azotea, its arched doorways, its flagged courtyard. He chose instead Turong's home, a shaky hut near the sea. Was the sea rough and dangerous at times? He did not mind it. Was the place far from the church and the schoolhouse? The walk would do him good. Would he not feel lonely with nobody but an illiterate fisherman for a companion? He was used to living alone. And they let him do as he wanted, for the old men knew that it was not so much the nearness of the sea that he desired as its silence so that he might tell it secrets he could not tell anyone else.

They thought of nobody but him; they talked about him in the barber shop, in the cockpit, in the sari-sari store, the way he walked, the way he looked at you, his unruly hair. They dressed him in purple and linen, in myth and mystery, put him astride a black stallion, at the wheel of a blue automobile. Mr. Reteche? Mr. Reteche! The name suggested the fantasy and the glitter of a place and people they never would see; he was the scion of a powerful family, a poet and artist, a prince.

That night, Don Eliodoro had the story from his daughter of his first day in the classroom; she perched wide-eyed, low-voiced, short of breath on the arm of his chair.

"He strode into the room, very tall and serious and polite, stood in front of us and looked at us all over and yet did not seem to see us.

" 'Good morning, teacher,' we said timidly.

"He bowed as if we were his equals. He asked for the fist of our names and as he read off each one we looked at him long. When he came to my name, Father, the most surprising thing happened. He started pronouncing it and then he stopped as if he had forgotten something and just stared and stared at the paper in his hand. I heard my name repeated three times through his half-closed lips, 'Zita. Zita. Zita.'

" 'Yes sir, I am Zita.'

"He looked at me uncomprehendingly, inarticulate, and it seemed to me, Father, it actually seemed that he was begging me to tell him that that was not my name, that I was deceiving him. He looked so miserable and sick I felt like sinking down or running away.

" 'Zita is not your name; it is just a pet name, no?'

" 'My father has always called me that, sir.'

" 'It can't be; maybe it is Pacita or Luisa or--'

"His voice was scarcely above a whisper, Father, and all the while he looked at me begging, begging. I shook my head determinedly. My answer must have angered him. He must have thought I was very hard-headed, for he said, 'A thousand miles, Mother of Mercy… it is not possible.' He kept on looking at me; he was hurt perhaps that he should have such a stubborn pupil. But I am not really so, Father?"

"Yes, you are, my dear. But you must try to please him, he is a gentleman; he comes from the city. I was thinking… Private lessons, perhaps, if he won't ask too much." Don Eliodoro had his dreams and she was his only daughter.

Turong had his own story to tell in the barber shop that night, a story as vividly etched as the lone coconut palm in front of the shop that shot up straight into the darkness of the night, as vaguely disturbing as the secrets that the sea whispered into the night.

"He did not sleep a wink, I am sure of it. When I came from the market the stars were already out and I saw that he had not touched the food I had prepared. I asked him to eat and he said he was not hungry. He sat by the window that faces the sea and just looked out hour after hour. I woke up three times during the night and saw that he had not so much as changed his position. I thought once that he was asleep and came near, but he motioned me away. When I awoke at dawn to prepare the nets, he was still there."

"Maybe he wants to go home already." They looked up with concern.

"He is sick. You remember Father Fernando? He had a way of looking like that, into space, seeing nobody, just before he died."

Every month there was a letter that came for him, sometimes two or three; large, blue envelopes with a gold design in the upper left hand comer, and addressed in broad, angular, sweeping handwriting. One time Turong brought one of them to him in the classroom. The students were busy writing a composition on a subject that he had given them, "The Things That I Love Most." Carelessly he had opened the letter, carelessly read it, and carelessly tossed it aside. Zita was all aflutter when the students handed in their work for he had promised that he would read aloud the best. He went over the pile two times, and once again, absently, a deep frown on his brow, as if he were displeased with their work. Then he stopped and picked up one. Her heart sank when she saw that it was not hers, she hardly heard him reading:

"I did not know any better. Moths are not supposed to know; they only come to the light. And the light looked so inviting, there was no resisting it. Moths are not supposed to know, one does not even know one is a moth until one's wings are burned."

It was incomprehensible, no beginning, no end. It did not have unity, coherence, emphasis. Why did he choose that one? What did he see in it? And she had worked so hard, she had wanted to please, she had written about the flowers that she loved most. Who could have written what he had read aloud? She did not know that any of her classmates could write so, use such words, sentences, use a blue paper to write her lessons on.

But then there was little in Mr. Reteche that the young people there could understand. Even his words were so difficult, just like those dark and dismaying things that they came across in their readers, which took them hour after hour in the dictionary. She had learned like a good student to pick out the words she did not recognize, writing them down as she heard them, but it was a thankless task. She had a whole notebook filled now, two columns to each page:

esurient          greedy.
Amaranth          a flower that never fades.
peacock           a large bird with lovely gold and 
                  green feathers.
Mirash 

The last word was not in the dictionary.

And what did such things as original sin, selfishness, insatiable, actress of a thousand faces mean, and who were Sirse, Lorelay, other names she could not find anywhere? She meant to ask him someday, someday when his eyes were kinder.

He never went to church, but then, that always went with learning and education, did it not? One night Bue saw him coming out of the dim doorway. He watched again and the following night he saw him again. They would not believe it, they must see it with their own eyes and so they came. He did not go in every night, but he could be seen at the most unusual hours, sometimes at dusk, sometimes at dawn, once when it was storming and the lightning etched ragged paths from heaven to earth. Sometimes he stayed for a few minutes, sometimes he came twice or thrice in one evening. They reported it to Father Cesareo but it seemed that he already knew. "Let a peaceful man alone in his prayers." The answer had surprised them.

The sky hangs over Anayat, in the middle of the Anayat Sea, like an inverted wineglass, a glass whose wine had been spilled, a purple wine of which Anayat was the last precious drop. For that is Anayat in the crepuscule, purple and mellow, sparkling and warm and effulgent when there is a moon, cool and heady and sensuous when there is no moon.

One may drink of it and forget what lies beyond a thousand miles, beyond a thousand years; one may sip it at the top of a jagged cliff, nearer peace, nearer God, where one can see the ocean dashing against the rocks in eternal frustration, more moving, more terrible than man's; or touch it to his lips in the lush shadows of the dama de noche, its blossoms iridescent like a thousand fireflies, its bouquet the fragrance of flowers that know no fading.

Zita sat by her open window, half asleep, half dreaming. Francisco B. Reteche; what a name! What could his nickname be. Paking, Frank, Pa… The night lay silent and expectant, a fairy princess waiting for the whispered words of a lover. She was not a bit sleepy; already she had counted three stars that had fallen to earth, one almost directly into that bush of dama de noche at their garden gate, where it had lighted the lamps of a thousand fireflies. He was not so forbidding now, he spoke less frequently to himself, more frequently to her; his eyes were still unseeing, but now they rested on her. She loved to remember those moments she had caught him looking when he thought she did not know. The knowledge came keenly, bitingly, like the sea breeze at dawn, like the prick of the rose's thorn, or--yes, like the purple liquid that her father gave the visitors during pintakasi which made them red and noisy. She had stolen a few drops one day, because she wanted to know, to taste, and that little sip had made her head whirl.

Suddenly she stiffened; a shadow had emerged from the shrubs and had been lost in the other shadows. Her pulses raced, she strained forward. Was she dreaming? Who was it? A lost soul, an unvoiced thought, the shadow of a shadow, the prince from his tryst with the fairy princess? What were the words that he whispered to her?

They who have been young once say that only youth can make youth forget itself; that life is a river bed; the water passes over it, sometimes it encounters obstacles and cannot go on, sometimes it flows unencumbered with a song in every bubble and ripple, but always it goes forward. When its way is obstructed it burrows deeply or swerves aside and leaves its impression, and whether the impress will be shallow and transient, or deep and searing, only God determines. The people remembered the day when he went up Don Eliodoro's house, the light of a great decision in his eyes, and finally accepted the father's request that he teach his daughter "to be a lady."

"We are going to the city soon, after the next harvest perhaps; I want her not to feel like a 'provinciana' when we get there."

They remembered the time when his walks by the seashore became less solitary, for now of afternoons, he would draw the whole crowd of village boys from their game of leapfrog or patintero and bring them with him. And they would go home hours after sunset with the wonderful things that Mr. Reteche had told them, why the sea is green, the sky blue, what one who is strong and fearless might find at that exact place where the sky meets the sea. They would be flushed and happy and bright-eyed, for he could stand on his head longer than any of them, catch more crabs, send a pebble skimming over the breast of Anayat Bay farthest.

Turong still remembered those ominous, terrifying nights when he had got up cold and trembling to listen to the aching groan of the bamboo floor, as somebody in the other room restlessly paced to and fro. And his pupils still remember those mornings he received their flowers, the camia which had fainted away at her own fragrance, the kampupot, with the night dew still trembling in its heart; receive them with a smile and forget the lessons of the day and tell them all about those princesses and fairies who dwelt in flowers; why the dama de noche must have the darkness of the night to bring out its fragrance; how the petals of the ylang-ylang, crushed and soaked in some liquid, would one day touch the lips of some wondrous creature in some faraway land whose eyes were blue and hair golden.

Those were days of surprises for Zita. Box after box came in Turong's sailboat and each time they contained things that took the words from her lips. Silk as sheer and perishable as gossamer, or heavy and shiny and tinted like the sunset sky; slippers with bright stones which twinkled with the least movement of her feet; a necklace of green, flat, polished stone, whose feel against her throat sent a curious choking sensation there; perfume that she must touch her lips with. If only there would always be such things in Turong's sailboat, and none of those horrid blue envelopes that he always brought. And yet--the Virgin have pity on her selfish soul--suppose one day Turong brought not only those letters but the writer as well? She shuddered, not because she feared it but because she knew it would be.

"Why are these dresses so tight fitting?" Her father wanted to know.

"In society, women use clothes to reveal, not to hide." Was that a sneer or a smile in his eyes? The gown showed her arms and shoulders and she had never known how round and fair they were, how they could express so many things.

"Why do these dresses have such bright colors?"

"Because the peacock has bright feathers."

"They paint their lips…"

"So that they can smile when they do not want to."

"And their eyelashes are long."

"To hide deception."

He was not pleased like her father; she saw it, he had turned his face toward the window. And as she came nearer, swaying like a lily atop its stalk she heard the harsh, muttered words:

"One would think she'd feel shy or uncomfortable, but no… oh no… not a bit… all alike… comes naturally."

There were books to read; pictures, names to learn; lessons in everything; how to polish the nails, how to use a fan, even how to walk. How did these days come, how did they go? What does one do when one is so happy, so breathless? Sometimes they were a memory, sometimes a dream.

"Look, Zita, a society girl does not smile so openly; her eyes don't seek one's so--that reveals your true feelings."

"But if I am glad and happy and I want to show it?"

"Don't. If you must show it by smiling, let your eyes be mocking; if you would invite with your eyes, repulse with your lips."

That was a memory.

She was in a great drawing room whose floor was so polished it reflected the myriad red and green and blue fights above, the arches of flowers and ribbons and streamers. All the great names of the capital were there, stately ladies in wonderful gowns who walked so, waved their fans so, who said one thing with their eyes and another with their lips. And she was among them and every young and good-looking man wanted to dance with her. They were all so clever and charming but she answered: "Please, I am tired." For beyond them she had seen him alone, he whose eyes were dark and brooding and disapproving and she was waiting for him to take her.

That was a dream. Sometimes though, she could not tell so easily which was the dream and which the memory.

If only those letters would not bother him now, he might be happy and at peace. True he never answered them, but every time Turong brought him one, he would still become thoughtful and distracted. Like that time he was teaching her a dance, a Spanish dance, he said, and had told her to dress accordingly. Her heavy hair hung in a big, carelessly tied knot that always threatened to come loose but never did; its dark, deep shadows showing off in startling vividness how red a rose can be, how like velvet its petals. Her earrings--two circlets of precious stones, red like the pigeon's blood--almost touched her shoulders. The heavy Spanish shawl gave her the most trouble--she had nothing to help her but some pictures and magazines--she could not put it on just as she wanted. Like this, it revealed her shoulder too much; that way, it hampered the free movement of the legs. But she had done her best; for hours she had stood before her mirror and for hours it had told her that she was beautiful, that red lips and tragic eyes were becoming to her.

She'd never forget that look on his face when she came out. It was not surprise, joy, admiration. It was as if he saw somebody there whom he was expecting, for whom he had waited, prayed.

"Zita!" It was a cry of recognition.

She blushed even under her rouge when he took her in his arms and taught her to step this way, glide so, turn about; she looked half questioningly at her father for disapproval, but she saw that there was nothing there but admiration too. Mr. Reteche seemed so serious and so intent that she should learn quickly; but he did not deceive her, for once she happened to lean close and she felt how wildly his heart was beating. It frightened her and she drew away, but when she saw how unconcerned he seemed, as if he did not even know that she was in his arms, she smiled knowingly and drew close again. Dreamily she closed her eyes and dimly wondered if his were shut too, whether he was thinking the same thoughts, breathing the same prayer.

Turong came up and after his respectful "Good evening" he handed an envelope to the school teacher. It was large and blue and had a gold design in one comer; the handwriting was broad, angular, sweeping.

"Thank you, Turong." His voice was drawling, heavy, the voice of one who has just awakened. With one movement he tore the unopened envelope slowly, unconsciously, it seemed to her, to pieces.

"I thought I had forgotten," he murmured dully.

That changed the whole evening. His eyes lost their sparkle, his gaze wandered from time to time. Something powerful and dark had come between them, something which shut out the light, brought in a chill. The tears came to her eyes for she felt utterly powerless. When her sight cleared she saw that he was sitting down and trying to piece the letter together.

"Why do you tear up a letter if you must put it together again?" rebelliously.

He looked at her kindly. "Someday, Zita, you will do it too, and then you will understand."

One day Turong came from Pauambang and this time he brought a stranger. They knew at once that he came from where the teacher came--his clothes, his features, his politeness--and that he had come for the teacher. This one did not speak their dialect, and as he was led through the dusty, crooked streets, he kept forever wiping his face, gazing at the wobbly, thatched huts and muttering short, vehement phrases to himself. Zita heard his knock before Mr. Reteche did and she knew what he had come for. She must have been as pale as her teacher, as shaken, as rebellious. And yet the stranger was so cordial; there was nothing but gladness in his greeting, gladness at meeting an old friend. How strong he was; even at that moment he did not forget himself, but turned to his class and dismissed them for the day.

The door was thick and she did not dare lean against the jamb too much, so sometimes their voices floated away before they reached her.

"…like children… making yourselves… so unhappy."

"…happiness? Her idea of happiness…"

Mr. Reteche's voice was more low-pitched, hoarse, so that it didn't carry at all. She shuddered as he laughed, it was that way when he first came.

"She's been… did not mean… understand."

"…learning to forget…"

There were periods when they both became excited and talked fast and hard; she heard somebody's restless pacing, somebody sitting down heavily.

"I never realized what she meant to me until I began trying to seek from others what she would not give me."

She knew what was coming now, knew it before the stranger asked the question:

"Tomorrow?"

She fled; she could not wait for the answer.

He did not sleep that night, she knew he did not, she told herself fiercely. And it was not only his preparations that kept him awake, she knew it, she knew it. With the first flicker of light she ran to her mirror. She must not show her feeling, it was not in good form, she must manage somehow. If her lips quivered, her eyes must smile, if in her eyes there were tears… She heard her father go out, but she did not go; although she knew his purpose, she had more important things to do. Little boys came up to the house and she wiped away their tears and told them that he was coming back, coming back, soon, soon.

The minutes flew, she was almost done now; her lips were red and her eyebrows penciled; the crimson shawl thrown over her shoulders just right. Everything must be like that day he had first seen her in a Spanish dress. Still he did not come, he must be bidding farewell now to Father Cesareo; now he was in Doña Ramona's house; now he was shaking the barber's hand. He would soon be through and come to her house. She glanced at the mirror and decided that her lips were not red enough; she put on more color. The rose in her hair had too long a stem; she tried to trim it with her fingers and a thorn dug deeply into her flesh.

Who knows? Perhaps they would soon meet again in the city; she wondered if she could not wheedle her father into going earlier. But she must know now what were the words he had wanted to whisper that night under the dama de noche, what he had wanted to say that day he held her in his arms; other things, questions whose answers she knew. She smiled. How well she knew them!

The big house was silent as death; the little village seemed deserted, everybody had gone to the seashore. Again she looked at the mirror. She was too pale, she must put on more rouge. She tried to keep from counting the minutes, the seconds, from getting up and pacing. But she was getting chilly and she must do it to keep warm.

The steps creaked. She bit her lips to stifle a wild cry there. The door opened.

"Turong!"

"Mr. Reteche bade me give you this. He said you would understand."

In one bound she had reached the open window. But dimly, for the sun was too bright, or was her sight failing?--she saw a blur of white moving out to sea, then disappearing behind a point of land so that she could no longer follow it; and then, clearly against a horizon suddenly drawn out of perspective, "Mr. Reteche," tall, lean, brooding, looking at her with eyes that told her somebody had hurt him. It was like that when he first came, and now he was gone. The tears came freely now. What matter, what matter? There was nobody to see and criticize her breeding. They came down unchecked and when she tried to brush them off with her hand, the color came away too from her cheeks, leaving them bloodless, cold. Sometimes they got into her mouth and they tasted bitter.

Her hands worked convulsively; there was a sound of tearing paper, once, twice. She became suddenly aware of what she had done when she looked at the pieces, wet and brightly stained with uneven streaks of red. Slowly, painfully, she tried to put the pieces together and as she did so a sob escaped deep from her breast--a great understanding had come to her.

Northern Mindanao

Designated as Region X of the Philippines, Northern Mindanao (Filipino: Hilagang Mindanao) is composed of five provinces and two cities classified as highly-urbanized, all occupying the north-central part of Mindanao island, and the island-province of Camiguin. The regional center is Cagayan de Oro City, where the national government's regional offices and other big establishments are located. Lanao del Norte was transferred to Northern Mindanao from Region XII (then called Central Mindanao) by virtue of Executive Order No. 36.

 Rizal and Cagayan 

   By Antonio J. Montalvan II, PhD

Rizal and Cagayan 

By Antonio J. Montalvan II, PhD

Keynote lecture delivered at the commemoration of the sesquicentennial of the birth of the National Hero Jose Rizal by the SM City Mall of Cagayan de Oro, 24 June 2011

It is not very common knowledge that at the time of the National Hero’s exile in Dapitan, his very presence there was felt quite palpably here in the town of what was then known as Cagayan de Misamis. From oral lore, we know that at least two residents of this town were brought to Dapitan for eye treatment. One of them, Paz Corrales, was the sister of my paternal grandmother. She was a spinster who died in our family home at the age of 99. My older siblings who grew up in her presence were all witnesses to her narrative of the time she had gone to Dapitan to have an eye ailment treated. There was no highway then, and Dapitan was reached by way of sailboat travel across the sea off today’s Misamis Oriental and Occidental, across the bay of Iligan.

The other patient of Rizal from Cagayan was Josefa “Inday” Roa who had a congenital disease that made her blind later in childhood. She was the aunt of the late Cagayan de Oro mayor and Misamis Oriental governor, the wealthy philanthropist Pedro “Oloy” Roa.

At the time of Rizal’s exile, Dapitan was a commandancia that was part of the vast second district of Misamis, which then encompassed the two Misamis provinces of today, and Camiguin, Bukidnon, Lanao del Norte, but also today’s Zamboanga del Norte and even a portion of today’s North Cotabato.

Rizal’s presence in northern Mindanao spawned urban legends. There are tales, for example, that he had also set foot in Tagoloan and in the barrio of Agusan in Cagayan. It was said that he came to Tagoloan at the behest of a classmate of his by the name of Urbano Alvarez, a medical doctor like him who had lived in Tagoloan at that time. The tale even claims that the sailboat that took Rizal landed on the shores of today’s barangay Baluarte from where he and his companions walked all the way to the town poblacion about a kilometer away. The elements of the tale all sound believable and real.

Curious to determine the veracity of the tales – for if true it would be a historical gem to know that the National Hero had indeed set foot here once upon a time – I checked out the archives of the University of Santo Tomas. The UST Archives is one of the best authoritative state-of-the-art archival institutions in the entire country. The archivist returned to me by saying that they had found no classmate of Rizal by the name of Urbano Alvarez. And so I thought that he must have been a classmate of his, not at UST where he studied medicine, but at the Ateneo. Rizal’s records at the Ateneo are still extant. Unfortunately, as in UST, no classmate of that name had turned out from the records.

And so these tales must remain as they are, as urban legends. This simply tells us that Rizal was the kind of national figure that can generate historical interpretations that continue to take the form of today’s conjured up tales. That also tells us the kind of following and adulation that he continues to engender.

No region in the country as northern Mindanao could have been more blessed to have hosted Jose Rizal for four years. One reaches this profound realization when visiting Dapitan. In Dapitan, the town plaza itself was designed by Rizal. It was he who planted the acacia trees that ring the peripheries of the plaza. It was he who also designed where to place the kiosk. And then of course, at one side of the plaza is a Rizal artifact that is now declared by the National Museum of the Philippines as a National Cultural Treasure. This is the relief map of Mindanao fashioned out of soil and grass that Rizal had made with his own bare hands, together with his Jesuit friend and mentor, Fr. Francisco de Paula Sanchez.

Across this plaza, inside the parish church of St. James, is another historical marker that indicates the exact spot where Rizal would stand each Sunday to hear mass.

There is also the street that Rizal had once walked on that dark night he arrived in Dapitan for his exile. Commemorated by a historical marker, Rizal and his Spanish captors walked all the way to the town plaza, aided only by a “farol de combate.”

Today, many old families of Dapitan still harbor treasured evidences of their past with Jose Rizal. Some still keep letters and furniture that had once belonged to the National Hero. There is a family, for example, of one of his students in his Talisay farm that has a treasure trove of various pieces of furniture that had once belonged to Rizal and his sister Trining. When Rizal left Dapitan, some of his students went with him back to Manila, hence the material things that they had brought with them back that had once been touched by the National Hero.

At dusk of the day he left Dapitan, the townsfolk all came out to say goodbye, and brought out the town band which played the dolorous Funeral March of Chopin (“Marcha Funebre”). National historical markers are now written in the Tagalog text. This one stands out for its beautiful prose: Sa dalampasigang ito, sa dapit-hapon ng Hulyo 31, 1896 . . . It was probably one of the most spontaneously poignant scenes in the short life of the National Hero. That was the kind of following that Rizal had inspired in life.

In death, the following for him had even intensified. News of his death in 1896 had reached Cagayan. Four years later, Cagayan rose against the new invading colonial masters, the Americans. Many of the those local revolutionaries, men like Nicolas Capistrano, Apolinar Velez, Juan Roa, were all inspired by Rizal and became fierce nationalists. Juan Roa, who was my grandfather, would keep all his Rizal books and pamphlets until his death in 1963.

It is not difficult to be inspired by Rizal, that is what I always tell my students. And the reason is because he was just like us who went through the same hopes and fears in life. He may have been exceptionally intelligent, but he had his own weaknesses. He wept for three days upon knowing of Leonor Rivera’s death. For all his vaunted intelligence, he was an emotionally petty man. He had his own share of fights and arguments. It was said, in fact, that in Madrid, his fellow Filipinos made it a point to avoid him in their drinking sprees for he would always sermonize them. He was too serious and was a wet blanket for company. He was a kill-joy.

But that is precisely the point. An ordinary and weak human being was capable of leaving us these words: “I have  always loved my poor country, and I shall love her until my very end.” We who are as ordinary and weak as Rizal could do no less.